From there, all you need to do is adjust the Gain field (see above). You’ll notice that this will adjust the waveform size to match the tweaks, ostensibly altering your recording level for the selected region. Simply put, when you have an audio region selected, turn your attention to the Region Inspector box (open the Inspector Column to make it visible). It’s not as obvious as a little fader on each region, though, so it took me a little digging to find it. You can imagine how excited I was to learn that Logic has its own version of Clip Gain.
#Jst gain reduction cant be used logic x pro#
One feature of Pro Tools that I’ve recently become envious of is Clip Gain: the ability to adjust the level of a region within a track without using the volume fader or automation. Rather than focus on a specific problem, I’m going to offer up some of my favourite techniques and workflows, many of which I’ve found invaluable! Some of these have been covered in SOS before, while some may be brand new to you, but the idea is to shake you out of your Logic patterns and introduce you to some new ways of doing things, without you having to get your hands too dirty. Let’s try something different this month. We offer six Logic Pro X tips and tricks that you might not know about. It even adjusts the waveform’s size to reflect the new volume.
While not as elegant as Pro Tools’ Clip Gain function, Logic does offer a functional alternative for evening out a track’s volume.
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